Crippled Symmetry (What Would Morton Feldman Do?): See The Art Department & Black Umbrella Tonight at Soundlab

Tuesday, August 31

See The Art Department & Black Umbrella Tonight at Soundlab

Tonight, August 31, 10pm, $5--THE ART DEPARTMENT, BLACK UMBRELLA.

Tuesday August 31st marks a return to chiming guitars and pop melodies at Soundlab with THE ART DEPARTMENT (Baltimore) and BLACK UMBRELLA (Buffalo/LA). May the seed of these sounds be fruitful in the belly of the night!

THE ART DEPARTMENT: "When Ernest Hemingway wrote his famous six-word micro-fiction—“For Sale: Baby shoes, never worn.”—it’s likely he didn’t anticipate that his bar-bet brevity would transfer so perfectly to music. The Art Department, a three-man band from Baltimore, is the postcard literature of house-party punk. Each song is insistently short with a clear message: It’s not necessary to blather on to tell a good story. The group’s high-speed fingerpicking and polyrhythmic drumbeats establish a steady momentum, while the almost-harmonized vocals of drummer Mike Meno and guitarist Jon Ehrens float above the smoke-long songs. Dusted with tambourine and condensed, flash-fiction nerditry, The Art Department’s sets kick into gear suddenly and end just as fast. The boys grab your attention with the first note, slide you into the chorus, and, before you realize it’s happening, drop you off at the music’s inevitable, eccentric conclusion." -Emily Wagner (DC CityPaper)

http://www.myspace.com/theartdepartment

BLACK UMBRELLA: "If you like psychedelic pop like early Pink Floyd with Syd Barrett at the helm or the latest from Of Montreal, or glam rock a la David Bowie and Jobriath, or synthpop akin to The Cure at their sunniest, or a hybrid of C86 bands and early American alternative college rock, or a mixture of all of these, then you’ll love Black Umbrella. James’s vocals remind me of a cross between Billy Corgan and Kevin Barnes with a melancholy pout and flourishes of glam panache. The lyrics are a wonderful blend of deep sadness and fanciful imagery.."

http://www.myspace.com/kin

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Who is Morton Feldman? (And Why Should I Care)?

A towering figure in 20th-century New Music, Morton Feldman radically re-imagined the possibilities of musical form through an approach to sound correlated with abstract painting. In 1973, Feldman became the Edgard Varèse Professor of Music at the University at Buffalo, a title he retained until his death in 1987. Feldman's tenure is emblematic of a renaissance period of progressive creative activity that brought Buffalo's cultural affiliations international acclaim.

What Would Morton Feldman Do? situates its speculations on multiple levels, firstly imagining the artist as an angry young man contemplating his social calendar. But WWMFD also addresses a larger crisis of relevance facing experimental culture in the 21st century. WWMFD builds on the city's radical legacy, but views history as a challenge to the present - what are you going to do NOW? WWMFD imagines its avant-classical hero wandering the crumbling streets in search of the new and the now, not through escapist longings for another era's modernisms but in concert with the cause of action necessitated by absence.

In this regard, WWMFD begins where Basta! Or Too Much! (We Will Always Know Ourselves), an avant-pop zine published locally from 1997-2001, left the page for the "stage." Collecting de facto proposals for civic reinvention utilizing the fractured experiments of Buffalo's postmodernist cultural community as blueprints, Basta! concerned itself not with art dialogue per se, but with changing what it means to grow up in a shrinking city. From these proposals (which tended to embrace rather than resist post-industrial existential crises) emerged a series of large scale multi-media events (Murder the Word) and ultimately, the performance program at Big Orbit Gallery. Big Orbit's "Soundlab" series, for which the venue of the same name was founded, was conceived of as a multi-faceted, continuously evolving "workshop" for the exploration of contemporary post-cultural incentives. Coming full circle, WWMFD hopes to re-contextualize Soundlab's explorations, and to include other relevant local sound and performance activities in its critical orbit.

Crippled Symmetry (What Would Morton Feldman Do?)

Choose Your Own Adventure

Tuesday, August 31

See The Art Department & Black Umbrella Tonight at Soundlab

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Who is Morton Feldman? (And Why Should I Care)?

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